Vincenzo Zonno, “L’ultimo spettacolo”

By now Vincenzo Zonno has accustomed us to his superlative style (apart from very small errors, perhaps only typos) of which he covers and cloaks his surrealism, which he mixes with various literary genres, from historical fiction to horror, here, specifically, to science fiction.

As usual, I confess that I did not understand much of the completely dreamlike plot — and not even had an interest in…